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sudden 60

60-Sekunden-Filme und mehr presented by Jörg Steinmann

open beamer WP8
14.10.05 - 22:00 Uhr



SUDDEN60 – 60-SECOND-MOVIES AND MORE
PRESENTED BY JÖRG STEINMANN

Zu einem Abend zwischen experimentellen Kurzfilmen, Daumenkino
und Performance sind Sie und Ihre Freunde herzlich eingeladen!

Sound-Installation an der Bar: noise me tender von Jörg Steinmann.
Jede Berührung der Bar wird elektrisch verstärkt. Die Bar wird zu
einem Geräusch-Instrument. Alle BesucherInnen sind herzlich ein-
geladen an der Bar Geräusche zu machen und Spaß zu haben.


SUDDEN60 – 60-SECOND-MOVIES AND MORE,
PRESENTED BY JÖRG STEINMANN

PROGRAMM


1. Westbeth, a composition by Jeffrey Francis Kowalkowski (Version 2)
simultaneously performed with 60-second-films by the following directors:

#1
first minute: 60” film by Brian Catling “the quasimodo” with scorepart: BIRDLIKE

#2
second minute: 60” film by Jörg Steinmann “the goldfish” with scorepart:
CANTABILE

#3
third minute: 60” film by Interzone perceptible “FilmFilm mutating” (Remix by J.S.) with scorepart: CLICKS

#4
fourth minute:60” film by Jörg Steinmann “Candy Eyes” with scorepart: WALKING

#5
fifth minute: 60” film by Jevgenij Kondratiev “VOR WAND” with scorepart:
SINE TONES

#6
sixth minute: 60” film by Jörg Steinmann “The Curchbell Mistake 10.00 a.m.” with scorepart: SINES TONES

#7
seventh minute: 60” film by Jörg Steinmann “Orange Zombie” with scorepart:
WALKING

#8
eigth minute: 60” film by Jörg Steinmann “submarine nightlights” with scorepart: CLICKS

#9
ninth minute: 60” film by Jörg Steinmann “Fwd: Marclay”, Text Quotation Courtesy Christian Marclay, from: Groos/Müller “Make it Funky”, ISBN: 3-89611-054-3, with scorepart: CANTABILE.
Many thanks to Dr. Ulrike Groos and Christian Marclay for the great support.

#10
tenth minute: 60” film by Heimo Wallner and Martin Zrost “Reciprocity” with scorepart: FLUTTERS

#11(=#10r) (r=reverse)
eleventh minute: 60” film by Heimo Wallner and Martin Zrost “Reciprocity reverse” with scorepart: FLUTTERS, reverse of the tenth minute

#12(=#9r)
twelth minute: 60” film by Jörg Steinmann, “Fwd: Marclay again”, Text Quotation Courtesy Christian Marclay, from: Groos/Müller “Make it Funky”, ISBN: 3-89611-054-3, with scorepart: SCRAPES, reverse of the nineth minute.
Again many thanks to Dr. Ulrike Groos and Christian Marclay for the great support.

#13(=#8r)
thirteenth minute: 60” film by Jevgenij Kondratiev “VOR WAND reverse” with
scorepart: SCRAPES WITH PICK, reverse of the eigth minute.

#14(=#7r)
fourteenth minute: 60” film by Interzone perceptible “FilmFilm still mutating” (Remixed Remix by J.S.) with scorepart: WALKING, reverse of the seventh minute.

#15(=#6r)
fifteenth minute: 60” film by Jörg Steinmann “Orange Zombie strikes again” with scorepart: SINE TONES, reverse of the sixth minute.

#16(=#5r)
sixteenth minute: 60” film by Jörg Steinmann “the goldfish’s mother in law” with scorepart: SINE TONES, reverse of the fifth minute.

#17(=#4r)
seventeenth minute: 60” film by Jörg Steinmann “Sticky Eyes”, with scorepart: WALKING, reverse of the fourth minute.

#18(=#3r)
eighteenth minute: 60” film by Jörg Steinmann “The Churchbell Mistake 6.00 p.m.” with scorepart: CLICKS, reverse of the third minute.

#19(=#2r)
nineteenth minute: 60” film by Jörg Steinmann “submarine daylight” with scorepart: CANTABILE, reverse of the second minute.

#20(=#1r)
twentieth minute: 60” film by Brian Catling “the quasimodo reverse” with scorepart: BIRDLIKE, reverse of the first minute.


2.
MONOLOGUE by Jörg Steinmann, 2004, 90 seconds

3.
potty potty by Jörg Steinmann, 2004, 1:52 minutes

4.
balls on traffic by Jörg Steinmann, 2005, 93 seconds

5.
make a smile by Jörg Steinmann, 2005, 67 seconds

6.
Austin Morgan by Jörg Steinmann, 2005, 73 seconds

BREAK

7.
lilke a dj by Jörg Steinmann, 2005, 1:45 minutes

8.
at large by Jörg Steinmann, 2004/05, 7:33 minutes

9.parking looking by Jörg Steinmann, 2005, 2:00 minutes

10.
sound your lift (HIGHLIGHTS) by Jörg Steinmann, 2004, 6:11 minutes documentation of a sound-performance in the elevators of the Filmmuseum Düsseldorf and Hetjens-Museum Düsseldorf. Using the elevators the visitors could create their own sound-design. Many thanks to the Filmmuseum and Hetjens-Museum for the great support. Many thanks to the Kulturamt Düsseldorf for the kind and helpful advices.

11.
Interzone perceptible plays 5-second-pieces, live at the Kunstakademie Düsseldorf, February 18, 2005
documentation by Jörg Steinmann, 2005, 11 minutes
“In the summer 2002, we had the idea of a project. It was the question, whether it was possible for a composer to express his musical identity convincingly within an extremely limited duration and with an additional instruction from us. All composers were set the task to write a piece of 5 seconds duration (maximum!) and “as cruel as possible, trash, hardcore, punk” for electrified accordion, electric bass and live electronics, with or without voice, composition, conceptional improvisation, performance, CD-playback.” (Interzone perceptible)

12.
Westbeth, a composition by Jeffrey Francis Kowalkowski (Version 1)
live at the Van Abbemuseum, NL-Eindhoven, April 17, 2005
with 60-second-films by the following directors:

#1
Brian Catling “the quasimodo”

#2
Jörg Steinmann “Jeff”

#3
Jörg Steinmann “Orange Zombie”

#4
Jörg Steinmann “The Churchbell Mistake 10.00 a.m.” (Van Abbe Mix)

#5
Jörg Steinmann “Cany Eyes”

#6
Jevgenij Kondratiev “VOR WAND”

#7
Jörg Steinmann “Jeff & Junior”

#8
Jörg Steinmann “Evel Icons”

#9
Kunsu Shim “Buddah’s face”

#10 Interzone perceptible “FilmFilm”

#11
Interzone perceptible “FilmFilm”

#12
Kunsu Shim “Buddah’s face” reverse

#13
Jörg Steinmann “Evel Icons back”

#14
Jörg Steinmann “Jeff & Junior” reverse

#15
Jevgenij Kondratiev “VOR WAND” reverse

#16
Jörg Steinmann “Sticky Eyes”

#17
Jörg Steinmann “The Churchbell Mistake 6 p.m.” (Van Abbe Mix)

#18
Jörg Steinmann “Orange Zombie strikes again”

#19
Jörg Steinmann “Jeff again”

#20
Brian Catling “the quasimodo” reverse

#21
Jörg Steinmann “The Westbeth 1 Coda Remix”


SOUND-INSTALLATION AT THE BAR:
noise me tender
by Jörg Steinmann: each touching of the bar
will be amplified. The bar becomes a noise-
instrument. All visitors are cordially invited
to meet at the bar making noise and having fun!


with the kind support of the Kulturamt Düsseldorf


Posted by: Jörg Steinmann on Sep 25, 05 | 8:33 pm | Profile

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